
No. 209, for a wedding band guitarist
Mahogany, maple with rosewood board, humbuckers, see-through smoke
$4,400Gigged at The Signal Box, 11 July

Two builders in a Dockside workshop making loud electrics and basses for people who play three nights a week. Before yours leaves, it plays a full set at The Signal Box down the road, and we fix whatever the night finds.
These are the same options and the same prices we quote on the phone. Pick a body, a neck, pickups and a colour, and the total and the wait change as you go. Send it and Rae will call you about the parts a form cannot cover, like neck carve and weight.

Mahogany, maple with rosewood board, humbuckers, see-through smoke
$4,400Gigged at The Signal Box, 11 July

Alder, roasted maple, split coil and single, stage black
$3,850Gigged at The Signal Box, 18 July

Roasted pine, maple with ebony board, single coils, three tone burst
$4,550Gigged at The Signal Box, 8 August
No. 211 went to a player who asked us not to post it. Builds and prices are sample content.
A guitar that is perfect on the bench can still squeal at stage volume or drift out of tune under hot lights. So every Voltwood plays a real set, in a real room, with a real band, before it goes in the case. We have done it 212 times.


Tobi strings it with the gauge you asked for and sets it up by ear through the house rig: a 50 watt valve head, a 2x12 and whatever pedals you told us you use.
Played at stage volume with a working band, under hot lights, with the room filling up. Bends, drop tunings, feedback at the amp, a long sweaty last song.
Microphonic squeal, a fret that chokes on a bend, tuning drift after the heat, a strap button that works loose. If it happened, it is written down with the time.
Anything in the log gets fixed and checked again. You get the log and a phone video from the gig with your delivery note. Most guitars come back clean.

Eleven years in a cabinet shop before the first guitar. Picks every blank, carves every neck by hand to a tracing of your current one, and runs the spray booth.
Toured as a guitar tech for nine years. Winds the pickups, wires every harness, does the fretwork and setup, and plays the Thursday gig himself.

No outsourced parts but the tuners and the frets. Two people, one bench, eight guitars on the curing line at a time.
The balance is due when your guitar has played its gig and passed. If it does not pass, it does not ship, and you do not pay until it does.
We talk through your spec on the phone, usually 20 minutes. An $800 deposit holds your slot and buys your wood.
Rae picks your blanks from the rack, weighs them, and cuts the body and neck. You get photos of the actual pieces before they are shaped.
Nitro in the spray booth, then the body hangs on the curing line for three weeks before anyone touches it with a buffer.
Level, crown and polish, hand wound pickups, a cloth wired harness, and a setup to the action you play today.
Thursday it plays The Signal Box. Friday it gets fixed if it needs to. Then it ships in a hard case with its gig log, and you pay the balance.
Sample figures for this concept.
Ninety shows on it last year, two of them in the rain. I have changed the strings and nothing else. Tobi sent me a video of it at The Signal Box before I had even seen it.
I play four hour wedding sets. My old guitar gave me a sore shoulder by the third hour. Rae built me a roasted pine body at 6.4 lb and it sounds bigger than the heavy one did.
The gig log said the high E went sharp under hot lights, so they re-cut the nut before shipping. I would never have known. That is the whole reason I ordered here.
Rae or Tobi reads every spec and replies within two working days, usually with a question about the guitar you play now. No deposit is taken until you have talked to one of us.
(555) 014-0333Workshop visits by appointment, Tuesday to Saturday. Unit 4, 19 Pressing Row, Dockside.